阿拉亚 Araya.1959.SUBBED.1080p.WEBRip.x264-RARBG 1.57GB
https://www.hdchina.net/data/attachment/forum/201906/16/021356zjvy6jjz6z0tysoj.png译 名 阿拉亚
片 名 Araya
年 代 1959
产 地 法国 / 委内瑞拉
类 别 记载片
语 言 西班牙语
上映日期 1959
IMDb评分7.7/10 from 521 users
IMDb链接http://www.imdb.com/title/tt0051372
豆瓣评分 8.3/10 from 105 users
豆瓣链接 https://movie.douban.com/subject/3585548/
片 长 90 分钟
导 演 Margot Benacerraf
主 演 José Ignacio Cabrujas
Laurent Terzieff
标 签 记载片 | 委内瑞拉 | 法国 | 1950s | 拉美 | 拉美电影 | 1959 | Benacerraf
简 介
《阿拉亚》是委内瑞拉传奇女导演玛戈·贝纳塞拉芙唯逐一部记载长片，它在拉美影史上占有相当重要的位置，是委内瑞拉民主后第一部获得国际声誉的电影，昔时在嘎纳它与阿伦·雷奈的《广岛之恋》配合分享了国际批评家奖，也都获金棕榈提名却终极未果，虽然名望不如《广岛之恋》和《黑人奥菲尔》那末大，但在专业人士眼中此片一向都是研讨拉美男性电影所必修的典范，影片出色的摄影经常被人们所歌颂，是与卡拉托佐夫的《我是古巴》齐名的诗意电影佳构，法国著名导演让·雷诺阿在看过影片后称赞《阿拉亚》是他所见过最完善的记载片之一。贝纳塞拉芙就像是委内瑞拉影坛的特吕弗和亨利·朗格鲁瓦，她不可是第一位结业于巴黎电影学院（IDHEC）的拉美导演，而且在1966年开办了委内瑞拉电影材料馆，虽然由于资金欠缺题目，她小我的导演生活并不顺遂，作品也很少，但却为新委内瑞拉电影的成长建立基金会，并曾获得天下列国的无数声誉和勋章。
转自AUESS的博客材料（http://blog.sina.com.cn/s/blog_497f6a250100cxm0.html）
Shown at Cannes in 1959, the year after Venezuela's last dictator Marcos Perez-Jimenez was overthrown, the documentary inadvertently highlights the kind of exploitation of the poor that can lead to rebellion. While the dictator escaped to Miami with $13 million, salt workers were piling up mounds of salt on the flat sands, making barely enough money to keep them in arepas and black beans. Between the hot, tropical climate and the sores on their feet, the job these workers do every day is excruciating. Yet the lives of the fishermen and salt workers in this documentary are shown in the context of planned, upscale development, something of a disservice to the larger picture.
With not much making a great impression thus far at the Berlinale, Margot Benacerraf's lovely documentary Araya comes as a breath of fresh air from 1959. Reminiscent of Agnes Varda's debut film La Pointe-courte (1954) in its artful but somewhat ambivilant attitude towards filming a local community and their work clearly admired by the filmmakers, Benacerraf's film focuses on the inhabitants of Araya, a desolate area in Venezuela subsiding through a long history on the wealth of its great salt marshes. Araya was originally compared to Flaherty's Man of Aran, Visconti's La Terra Trema (1947) and Rossellini's India (1957). Margot Benacerraf has described the film as "a cinematic narration based on script writing rather than a spontaneous action, a feature documentary, the opposite of Italian neorealism".
获奖情况
第12届戛纳电影节(1959)
主比赛单元 金棕榈奖(提名) 玛尔戈特·贝纳塞拉芙
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