甜蜜的邪恶 So.Sweet.So.Perverse.1969.ITALIAN.1080p.BluRay.x264-HANDJOB 7.12GB
http://www.1080.cc/data/attachment/forum/202009/01/000507bo3bhh600vzcz9g3.jpg译 名 甜蜜的邪恶 / So Sweet... So Perverse
片 名 Così dolce... così perversa
年 代 1969
产 地 意大利 / 法国 / 西德
类 别 悬疑 / 惊悚 / 犯罪
语 言 意大利语
上映日期 1969-10-31
IMDb评分6.1/10 from 475 users
IMDb链接https://www.imdb.com/title/tt0064186
豆瓣评分 0/10 from 0 users
豆瓣链接 https://movie.douban.com/subject/3344696/
片 长 92 分钟
导 演 翁贝托·伦齐 Umberto Lenzi
编 剧 耶尔迈斯托·加斯塔尔迪 Ernesto Gastaldi / 卢西亚诺·马蒂诺 Luciano Martino
主 演 卡罗尔·贝克 Carroll Baker
让-路易·特兰蒂尼昂 Jean-Louis Trintignant
Lucio Rama
Gianni Pulone
雷纳托·平奇罗利 Renato Pinciroli
赫尔佳·丽列 Helga Liné
达里奥·米凯利斯 Dario Michaelis
Ermelinda De Felice
霍斯特·弗兰克 Horst Frank
Marcello Bonini Olas
艾丽卡·布兰克 Erika Blanc
标 签 Giallo | 意大利 | Umberto_Lenzi | 被轻忽的电影 | 犯罪 | 意大利电影 | 惊悚 | ☆Giallo
简 介
This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .
谷歌为您翻译：
这部电影（不要与卡洛尔·贝克的另一辆车“亲吻我，杀死我”，别名“巴巴八木-女巫”相混淆）是翁贝托·伦齐对他开创性的典范电影《帕拉诺亚》的后续。它与达里奥·阿根托（Dario Argento）的《水晶羽毛的鸟》（该电影激发了意大利gialli的大大水）同年刊行，由马蒂诺兄弟（Martino兄弟）建造，后者后来建造了很多风趣的giallo电影（凡是以Eugenio Martino的魅力为特征）情妇，埃德维格·费内奇（Edwige Fenech）。它由卡罗尔·贝克（Carroll Baker）饰演，经过饰演与她在《帕拉诺亚》中饰演的天真受害者完全相反的脚色来展现她的表演印章，而且还约请了两位欧洲精采的外乡演员让·卢厄斯·特里蒂尼亚南（Jean Loius Trintignant）和富丽的埃里卡·布兰卡（Erica Blanc） 。剧本出奇的适意，布满了悬念和实在的欣喜。这是法国典范电影《魔鬼》的奇妙变体，with废的，上流社会的丈夫（特里提南人），妻子（布兰克）和情妇（贝克）相互穿插和双穿插。它奇妙地连系了观众对这部早期电影的认知，然后才显现出意想不到的曲线。它似乎也拍得很好。 （很难相信，几年后，伦兹会建造使人作呕且力所不及的食人电影，如“食人族Ferox”，大概仅仅是力所不及的美国可骇片，如“黑黑暗的猎人”）。可是我说似乎是由于这部影片仅适用于希腊录像带的第二代或第三代，这些录像带不但平移和扫描，而且平移和扫描也很差，是以脚色凡是不在屏幕中心。试着欣赏这部电影就像试着欣赏一幅美丽的画作，画中的两面都被割掉了，上面覆盖着真正模糊的玻璃纸（和希腊字幕）。假如伦齐（Lenzi）的空话电影如“费罗克斯（Ferox）”，“希奇（Hitcher）”，甚至天主帮助我们一切人“伊顿在世”（Eaten Alive），都能获得DVD的明星报酬，为什么“ Paranoia”或这类小宝石不能？哦，可是我几近忘了-虽然题目没有太多的变态。贝克在《妄想症》中有更多裸体排场。有一些与勃朗峰有关的裸体（虽然在我看来，你永久不成能具有充足的裸体），但不幸的是，这两者之间仅是暗示着女同性恋关系。固然，它能够只是被裁剪掉了。 。 。
腾讯为您翻译：
这部电影(不要与另一部卡罗尔·贝克的汽车“吻我，杀了我”混淆，别名“巴巴八木--女巫”)是翁贝托·伦齐(Umberto Lenzi)开创性典范影片“偏执狂”(Parania)的续集。同年上映的是达里奥·阿尔金托(Dario Argento)的“带水晶羽毛的鸟”(这部电影开启了意大利吉亚利的洪流)，由马蒂诺兄弟建造，他们后来建造了很多风趣的吉亚洛电影(凡是由尤金尼奥·马蒂诺的诱人情妇埃德维吉·费内奇(Edwige Fenech)主演)。该片由卡罗尔·贝克(Carroll Baker)主演，在这里展现了她的演技，饰演的脚色与她在“偏执狂”(Parania)中饰演的天真受害者完全相反。该片还展现了两位优异的欧洲外乡演员-让·卢乌斯·特里蒂南特(Jean Loius Trintignant)和标致的埃里卡·布兰克(Erica Blanc)。剧本写得出奇地好，布满了悬念和实在的欣喜。这部电影奇妙地改编自法国典范电影“空灵”，报告了一个颓丧的上流社会的丈夫(特里蒂尼恩特饰)、妻子(布兰克饰)和情妇(贝克饰)的相互交配和变节。它奇妙地操纵了观众对前一部电影的认识，然后投进了一个意想不到的曲线。它似乎也拍得很好。(很难相信几年后，伦齐会建造像“食人鱼”(Cannibal Ferox)这样恶心、拙笨的食人电影，大概像“黑黑暗的希切尔”(Hitcher In The Dark)这样纯洁的拙笨的美国屠夫电影)。但是，我说似乎是由于这部电影只在希腊录像带的第二代或第三代拷贝中可用，这些录像带不可是平移和扫描的，而且是很是糟糕的平移和扫描，以致于人物经常分开屏幕的一半。试图欣赏这部电影就像试图欣赏一幅美丽的画，这幅画的双方都被剪掉了，上面覆盖着很是模糊的玻璃纸(还有烧焦的希腊语字幕)。假如伦齐的渣滓电影，像《费罗》、《希切尔》，甚至，天主保佑我们大师，《生吞活剥》，都能获得明星DVD报酬，为什么《偏执狂》大概这颗小宝石就不能呢？哦，可是我差点忘了--虽然书名是这样的，但这里并没有太多的变态。贝克在“偏执狂”中有更多的裸戏。有一些与布兰克有关的裸体(虽然，在我看来，你永久不会满足于此)，但不幸的是，他们两人之间的女同性恋关系只是一个暗示。固然，它能够只是被剪掉了。。。
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